field 351
I like that show where they solve all the murd3rs
Name: I like that show where they solve all the murd3rs
how to save the world
  • $a You are welcome to link to any public post in this blog

  • $b To credit: Cedar of Saving the World Daily Through Information



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Saving the world daily through information
Sweet Valley spirit!
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And yes, I contributed. I'll link when the fic goes live.

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780: Now if she does it like this will you do it like that

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I usually love the Beloit College Mindset List, but this year it made me cross my eyes.

The first item on the list is "Harry Potter could be a classmate, playing on their Quidditch team."

Except.

Any fan worth his/her salt knows that Harry Potter was born in 1980, not 1990 as the Mindset List sets most of the births for the Beloit College Class of 2012. Yes, yes, we all know J.K. Rowling can't add and subtract but the books are pretty clear on this one. I'm wondering how they arrived at the Harry Potter Could Be a Classmate conclusion. My only theory is that they counted Harry as being 11 years old at the time of the US publication of SS, which would mean Harry was born in 1987 and could be a classmate of theirs if Beloit had a Quidditch team. They don't, though. I don't think Quidditch is popular in Division III schools.

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126: mathematical
780: too bad she only thinks about the Lord above

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Annoyance of the day:

The Baltimore County Public Library posted its If You Liked Harry Potter, Try... list today, and it was picked up by [info]lii.

The list is ENTIRELY fantasy. Lord of the Rings. His Dark Materials. Faerie Wars. The Dark is Rising. Etc.

I am irritated beyond the telling of it.

The reasons why will have to wait for a post to come after August 13.

Editing to add: And yet another all-fantasy next reads list, this time from Common Sense Media.

What's that phrase? Common sense is usually neither?

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126: rushed
780: thanks for the memories even if they weren't so great

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One of my favorite moments of Return of the King (the movie, not the book, because the particular incident I'm talking about can't really be duplicated on paper) is seeing Minas Morgul come to life. There's a gathering tension, then a moment of silence, then an explosion with green light everywhere and marching armies of Minas Morgul baddies.

That's what watching the Harry Potter fandom is like right now.

We're in the middle of the growing tension, and like Frodo and Sam I'm feeling the serious need to go run and hide behind a rock while I watch. The army is gathering and there is much darkness. Saturday will be the hours of silence as everyone leaves the internet to read. And on Sunday, the explosion.

The Potter fandom has been an integral part of my life for the past five years (am planning a photo essay!), but on Sunday I might just spend the day reading Numb3rs fic. I can't deal with all the noise.

Lily Allen - Everything's Just Wonderful

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126: excited

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Well, first, writing fic is fun. It's no-stress writing (short of fest deadlines). It's my chance to experiment with different writing styles, exploring different characters, etc., without the stress of having to juggle all the balls of writing your standard novel.

Besides the fun factor, though, is my personal feeling that no matter what happens in Deathly Hallows we will never have a truly closed canon.

Think about it. There are about 135 characters that appear, for however long or short a period of time, in OotP. That's 135 backstories waiting to be told, 135 ways of living and speaking, 135 personal histories that got them to where they appeared in the books. There is No Way J.K. Rowling, despite her verbosity, can completely close the canon, telling us everything we ever wanted to know about everyone we've ever wanted to know about. I have doubts that I'll ever learn what I've truly wanted to know since PoA: the reason Peter Pettigrew betrayed the Potters to Voldemort, and leading up to that, why no one, particularly Sirius, saw anything in Peter beforehand that would lead them/him to think that Peter might not be all he says he is. I also want to resolve the ongoing (very friendly!!) argument I have with [info]psychic_serpent over whether Percy is a spy for the Order or not (she says yes, I say no). I want to see more of Narcissa Malfoy because I think she's tough and sharp. I want to know exactly how one gets a job working as a curse-breaker for Gringotts. The list goes on. There's no way all of that can fit in the books.

Then, there's my personal rule: I like to finish what I start, even if it takes me forever. I can say "Canon-compliant through the end of OotP; does not include information from HBP and DH" with the best of them. Just because X amount of canon exists doesn't mean you have to incorporate all of it into every single fic you put out. It works for TV show fandoms and there's no reason it shouldn't work for book fandoms. Despite the overwhelming RL work load (it's a 2007 thing; I ended up on way too many committees the same year I took on a major writing project, plus my regular reading and work), I do try to tickle my fics every once in a while. They WILL get done (I promise, [info]ellen_fremedon!!), but alas, sometimes RL has to come first.

Lately all I've wanted to do is sit around and watch Numb3rs. That is, when I'm not reading Numb3rs fic. I DO NOT HAVE TIME FOR ANOTHER FANDOM. ACK.


Audioslave - Set It Off

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126: hopeful

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Since everyone else is doing it...

I guess I'm the second-worst kind of Harry Potter fan there is, because I read this Washington Post article on spoilers for the books and thought, "You know what? I don't care."

I will have my cell phone on, as always, all weekend as I read. I will be online looking for people to discuss the book with. I don't care if someone driving down 18th Street at 12:05 a.m. yells out the ending of Deathly Hallows from the window of his car. I don't care if someone who steals a copy of the book early walks in front of me wearing a t-shirt pronouncing all the deaths in the book before the release. I am not creating a spoiler-free filter for this journal (though I am not so inconsiderate as to not cut them for a week). I won't be locking entries in which I discuss the book.

Why? Because for me it's about the journey, not the destination.

Let's say Harry dies. I don't know if this will happen, though given the following of the hero's journey tale it's unlikely. But let's say it does. If you want to flip to the end of the book and yell at me, "Hey, Cedar, Harry dies!" you won't get much more than a shrug and an "Oh, really? Okay." To me, it's not about the events of the book, but how we get there. I want to see the process and the battles and the build to the turning events. I want to read all the dialogue and see the alliances and betrayals unfold. I care more about HOW Lucius Malfoy gets out of Azkaban than whether he does or not. So unless you plan to sit in front of me and read the book aloud cover to cover (which I actually wouldn't mind too much, as I love being read to), you're not going to upset me by posting anything about the events of HP&tDH. I am not so fragile as to be upset over the events, or lack thereof, of a book. When you listen to a sports report, you want to hear more than something like "Cubs won, Sox lost." You want to hear about the major plays, the good calls, the questionable calls, etc. It's about how the game got to those final scores, not just about who won or lost. (And really, by the time someone got around to tell me all the spoilers I wanted to hear, told me about the processes that truly interest me, I'd be done with the book because I read pretty fast.)

Feel free to put me on all your spoiler and discussion filters, if you're making them. Spoiler-free people, to me, are like people who drink pulp-free orange juice. It's totally fine for them and I'm glad pulp-free orange juice exists so no one has to be denied their vitamin C goodness. But I want my orange juice to be practically chewable.

(Although I WILL become angry if we never find out why Peter Pettigrew betrayed the Potters. I still don't trust Sirius's explanation of "Peter was weak" any further than I can throw it.)

Alice In Chains - I Stay Away

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126: cranky

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Release date of Harry Potter 7, yadda yadda yadda.

In the squeeing over the release date, I noticed this: The retail price on this book (hardcover edition, not the deluxe, afaik) will be $34.99.

Compare this to the cover price of HBP: $29.99.

Compare those to Eldest by Christopher Paolini, which is 704 pages and retails for $21.00

This could mean several things:

1. The books will have a supershiny cover, be printed on some kind of special paper, maybe have the edges done the way the Series of Unfortunate Events is, or have other decoration that drives up the price.

2. We get some kind of goodie with it. A CD, perhaps, or a pen? I love pens.

3. These are going to be the biggest books any of us have ever seen short of the OED.

I'm off to the gym. I'm going to need to step up my weight training regime if I'm going to be schlepping that thing around. Who wants to join me?

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126: intimidated
780: there's a lot of honey in this world

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Fic: Random Acts of Kindness and Senseless Acts of Duty, for [info]kennahijja
Once upon a time, [info]kennahijja and I were bemoaning the fact that both of us missed [info]merry_smutmas signups this year, her because she has a life and me because I live in space, so I said to her one day, "Shall we do a Hijja & Cedar holiday fic exchange?" She wrote this really cool fic that I confess I have not yet had the time to finish because I still have about six books to read before 2 p.m. on Saturday, ack.

About Hijja: She is one of my oldest fandom friends. Betcha didn't know that. But I've known her since the fall of 2002, when she commented on one of my fics. Not only is Hijja a good reader, but she is a good writer, too. Want some kickass genfic? Check her out. Yeah. She's one of those people it's easy to stay friends with even when you don't talk for months, and I am delighted to have written this fic for her.

About this fic: Hijja said, when I asked her if she had any special requests for her fic, that she really liked Gryffindor/Slytherin interactions. Of course, anyone who reads her fics knows this *g*. I'm in the middle of a long H/D fic right now and Lucius wouldn't talk to me, but there was this idea I'd had around for a while, maybe not for a fic, but something I wondered: If we find out in Harry's fifth-year Care of Magical Creatures class why Harry and Neville can see thestrals, why don't we ever find out about the "stringy Slytherin boy" mentioned in the same paragraph, who turns out to be Theodore Nott?

It probably wasn't what [info]kennahijja was expecting, but I hope she likes it anyway.

Random Acts of Kindness and Senseless Acts of Duty, Harry Potter/Theodore Nott, rated PG-13 )

Crossfade - Cold

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126: dizzy

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First and most importantly: Happy birthday to the brilliant, fun, and beautiful [info]deralte.

Sigh. YA books are all about sex. Again. I missed the news because I don't get home from work until 7 p.m. on Mondays, but argh. YALSA-BK is all craziness. But a good kind of craziness. Professional-like. I think I'm just all aboggle at this big important article published by NBC where the journalist has clearly not read the books, nor talked to anyone who's an expert in the field. I thought journalism was about reporting, like, the facts.

So. Let's talk a little bit about why Harry Potter is a young adult series, rather than children's. All my reference books on this subject are, of course, at home, so forgive my faulty memory.

Young adults as defined by YALSA are 12-18. This distinction isn't perfect, of course. There are a lot of books that cross over between children's and YA, like Holes and House of the Scorpion, and YA books that won the Newbery or the Newbery Honor for children's literature, like The Blue Sword, because the Printz didn't exist until 2000. Because of this, I can see the argument for SS and CoS as children's books, and even though I think CoS is more YA, I'm not going to go to battle over it. PoA on up, though? Classic examples of YA lit.

Not too long ago, I wrote an article for a YA lit encyclopedia on why HP is a YA series. I used the criteria from Literature For Today's Young Adults, which has a six-point list of the things that separate children's books from YA. Some factors, like a diverse cast, cross over from children's to YA, but others, like the role of parents, don't. (My book is at home, my paper is at home, yada yada.) When I consider Donelson and Nilson's criteria, HP fits all of them perfectly. It's true that some children's books carry traits of YA, but these criteria are hardly one size fits all.

Disclaimer: There are always exceptions to every rule, and I'm just providing examples. It is impossible to get all YA lit into six categories, but most of it covers at least four of the six. Also, I have read every book I mention.

Some of my arguments for HP as a YA series are:

1) Lack of parents. It's not just Harry's parents who are gone. In the setting of Hogwarts, EVERYONE'S parents are absent. With their parents out of the picture, the teens are free to go about their adventures and grow as individuals. Parents in YA lit are often a source of strife, and more often than not one of them is dead or otherwise out of the picture. Some exceptions to this rule: My Heartbeat by Garrett Freymann-Weyr, The Cat Ate My Gymsuit by Paula Danziger (although the father is Marcy's premier antagonist), Sleeping Freshmen Never Lie by David Lubar (must pimp this book as often as humanly possible). Even with the parents in the picture, most of these books take place at school or at friends' residences, leaving the teens to act independently. I'm not saying there aren't children's books with no parents; look at From the Mixed-Up Files of Mrs. Basil E. Frankweiler. In children's books, however, the parents play a much different role. They influence their children's decisions more, like in Charlotte's Web, or they shape who their children become, maybe their children want to follow in their footsteps.

2) The age of the main character. Yes, maybe this is somewhat of a duh, but I've seen a lot of outrage from parents who don't want their third-graders reading a book with lots of kissing and a sexual awakening (Harry's). But that's what a good young adult book incorporates: the physical and mental changes that all teens go through. In Time magazine, article here, J.K. Rowling says:

"There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex," Rowling says. "I have a big problem with that."

So do I.

One of the things I admire most about JKR's writing is her attention to the feelings of teenagers. Harry isn't just The Boy Who Lived. He's The Boy Who Lived To Develop A Crush On His Best Friend's Sister And Really Screw Up His Relationship With Cho Chang. It's Harry's jumbled feelings, so normal to teens, that make him likeable and make the reader able to relate to him. By ignoring Harry's emerging sexuality, JKR would have done a huge disservice to her teen readers. HP would have been the Michael Jackson of YA lit: a teen protagonist with a child's mentality. I think a lot of people still expect it to be that way. Too damn bad. We cannot expect readers to go from Bridge to Terabithia to The Color Purple. YA lit is the way to bridge that gap. HP is unique in that he ages and grows over the series, and it seems to me like many readers have a hard time accepting the inevitable: All people change as they grow older. One of the joys of YA literature is witnessing these changes firsthand and seeing them treated so well, with so much care, by YA authors. I sure as hell couldn't do it.

That, and the fact that any other book where the characters smoked, drank, beat each other up, kissed, had obvious sexual longings, bled every other page, talked back to their teachers, and fought for their lives against evil would go straight to the YA section of any library.

3) Questioning authority. Again, this does happen in a lot of children's books, but realizing that authority figures aren't always right and don't always have children's best interests in mind is a primary theme of many YA books. Look at just about anything written by Nancy Farmer, Edward Bloor, or Robert Cormier. The best part of this aspect of Harry Potter is that not only is Harry questioning his superiors, he has to put his life in their hands. Think Snape in OotP. It's not that younger children in children's-not-even-close-to-YA books don't question their superiors or parents, but unlike in YA lit it is sometimes (often? jury's still out on this one) the parents and/or authority figures that bail characters out of bad situations with their peers, usually through advice. Example: Ole Golly in Harriet the Spy.

4) Diversity of cast. We're all familiar with this one. No one at Hogwarts cares if your last name is Patil, Malfoy, Goldstein, Chang, or Corner, but your parents had better be wizards. Wizarding blood, of course, isn't the focus of the story, and we don't see people talk about how their being pure or half or nonblooded has affected their life experiences *pokes [info]florahart*, but the sentiments are there.

5) The publishing perspective. People see HP published by Scholastic, a well-known children's book publisher, and assume the book must be for younger kids. But Rainbow Party is published by Simon & Schuster Children's Books. Right now, there aren't that many YA specific imprints. There's Simon Pulse and Scholastic's Push and others, but YA books are almost always published by a children's division. I don't see teens as children. I see them as, well, teens. I was appalled the other day at a parent who said, "But what do you have for little kids?" and when I asked her what she meant by "little kid," she pointed to her daughter, age fourteen. Teens need different books and different library services than pre-readers and school-age children, which is why I've turned down jobs where the teen librarian's position is part of children's services. (Also, teens cannot get the reference and non-fiction materials they need in a children's section.) I got bingoed out the wazoo last week on my local HP meetup list by someone who said, "Well, why shouldn't Harry Potter release parties cater to young children? After all, they're CHILDREN'S books and weren't you a child once?" (Yes, but I grew out of it.)

HP, and please note that I do not now and have never worked in publishing, seems to me to be the biggest conundrum in YA publishing. It's a series that started as a children's book and has since moved into YA, yet Scholastic still sells this book with a sixteen-year-old protagonist to eight-year-olds. I don't know why. I'm not saying that there aren't eight-year-olds who enjoy the series, but in marketing the book to a young audience, I think Scholastic alienates their teen market. Teens need and deserve books like HP, books that show a character who always strives to do the right thing, who has unfailingly loyal friends that love him even though they fight sometimes, who is often confused and hurting yet always brave. But many teens won't touch HP because they believe it's a book for little kids. Even though it's one of the bestselling books in history, Harry Potter is unquestionably my biggest challenge when it comes to booktalking and selling to teen readers.

Those who do work in publishing, especially for children and/or teens, are more than welcome to comment and straighten out my ignorant statements.

Other tidbits which may or may not be pertinent to the YA argument, but which are fun nonetheless:

Members of YALSA-BK were asked if they were buying HBP exclusively for children's, or for children's and YA. No one who responded bought it exclusively for children's. My library bought copies for children's, YA, and adult.

Harry Potter, numberswise, is the largest online fandom. But you have to be at least 13 to post at fanfic sites.

HP has opened the doors to YA publishing. Many adult authors who wanted to write books for YAs and kids and were told they were crazy have gone on to win awards and receive praise for their YA books. Includes: Carl Hiaasen, Joyce Carol Oates, Alice Hoffman, Walter Mosley, Neil Gaiman, Scott Westerfeld, David Baldacci, Clive Barker. Unfortunately, also includes James Patterson.

Lots of litrachoor types like to say that HP is yuck and it won't be around in ten years. My response: Who the hell cares? It's getting teens to read NOW. And if they don't read now, where will they be in ten years?

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126: depressed
780: did you think that I would cry on the phone

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1. Christopher Paolini, regarding your review of HBP in Entertainment Weekly, I think the only time I have ever been less impressed with your writing was when I read Eragon. Which is too bad, because you are a very sweet, kind person.

2. I still have to do a reread of HBP, so most of what's in this post, though spoilery and cut-tagged because I'm a nice person, may be a little fuzzy.

3. I think I will do the "HP is a YA novel, dammit" post separately, because I have articles I need to dig up. But for now:

All the news that's fit to Prince )

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126: busy
780: alone, listless, breakfast table in an otherwise empty room

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We all need a break from politics. Good thing it's Wednesday.

Sirius Black and the Prison of Azkaban: a fate worse than torture )

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126: contemplative
780: you've been all over and it's been all over you

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My boss just made me look like an idiot in front of the high school librarian, who I can't stand. So glad I'm going away this weekend.

It's especially appropriate that "Werewolves of London" will not leave my head, because I wanted to talk about Remus Lupin. And am I the last person to hear Adam Sandler's cover of "Werewolves of London" from the new Warren Zevon tribute album? He actually sounds really good. Who knew?

All opinions regarding Remus Lupin are mine only and suchlike.

In my Multicultural Ed. class in college we had to read Train Go Sorry: Inside a Deaf World by Leah Hager Cohen. It was an absolutely fascinating look at life in a school for the deaf and deaf culture. One of the things I remember most about the book, however, was not the descriptions of the lives of deaf people, but that more than one of them said that were they offered the chance to hear, they wouldn't take it. When I read that, I was surprised but not shocked. While I couldn't imagine someone not wanting to be able to hear, especially being a musician, I could understand not wanting to leave what they've known all their life and the culture they're a part of because of it.

I filed this thought away for a few years until one night when I was RPing a story idea with [info]metaphoracle. Somehow we (she as Snape, me as Remus) got on the topic of a cure for lycanthropy and I said, as Remus, that even if a cure was found I wouldn't take it. That sort of surprised both me-as-Remus and me-as-Cedar in the same way I was surprised reading that passage in Train Go Sorry. But again, it's the same concept: Remus said in PoA that he was "a very small boy when [he] received the bite," so being a werewolf may be the only thing he's ever known. At his age it's the only thing he's known for the better part of his life. Lycanthropy will probably shorten his life (I know nothing about it, so it's all educated guesswork for me) and may even be the cause of his death, but having his lycanthropy cured would leave Remus without a part of himself that has shaped his life and brought him both exile and the closest friends he ever had. Without his lycanthropy, Remus wouldn't be the same. He knows it, I know it, and J.K. Rowling knows it.

Remus's lycanthropy is a source of doubt as well as confidence. Being a werewolf is what gives Remus his alpha nature, the security he has in his words and actions. He knows that whatever he has to face regarding Snape or Sirius, what he faces in his own life is worse. He's had to take control of...an illness? a disability?...that he knows will probably kill him after making it nearly impossible to live anything resembling a normal life, with a job and some kind of long-term romantic relationship. He's accepted the lycanthropy and integrated it, but he knows he is inherently different from everyone else, too. With all the differences and "abnormalities," though, I don't think Remus could give up being a werewolf any more than one of us could give up an arm or leg. It is a constant struggle, yes, but who Remus is grew out of his want to know something of normalcy. He has astonishing self-control and a need to be accepted. Both of these come about because he's a werewolf. He had a terrible secret to hide and compensated by being as "normal" as he could possibly be. In some instances, he even went passively out of his way to be liked, to keep his friends. (Refer to OotP, "Snape's Worst Memory.") Like all teens, he feared losing his friends, but he had a lot more to lose than the average student. He shares that bond not just of friendship but of secrecy with Sirius, Peter, and James, and he can never be sure what would happen if he upset one of them, especially Sirius.

Strangely enough, and maybe this is why I've felt the need to post on Remus, I've been going through a little of this myself. A recent round of antibiotics from my doctor has cleared a lot of my weather-induced headaches (though it's supposed to rain on Saturday and I'm feeling the pressure in my head today) and I feel like I've lost a part of myself. Now where's the Excedrin?

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126: contemplative
780: I saw a werewolf drinking a pina colada at Trader Vic's

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1) Happy birthday to [info]silvana!

2) For some strange reason I remain untouched by the computer problems of the world. I neither stopped receiving messages nor received multiple copies of messages from YALSA-BK, nor have I had any problems reading or posting to LiveJournal. I am not complaining.

3) I hate traffic so much. If the delay is supposed to be on Route 3 eastbound, the one going to the Lincoln Tunnel, how come the traffic going west doesn't move?

4) Happy Teen Read Week to all!

5) Books to review: 3. Number of these reviews that are overdue: 2.

6) Today is not Thursday, as I've been telling myself all day. It's Wednesday. Wednesday means fandom stuff. Yay!

Hermione Granger is a bossy busybody know-it-all and I hate her: a little essay by Cedar )

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780: wiping the dirt from his hands as he walks from the grave

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How I've missed LJ...or for that matter, internet access.

I've missed the last two Fandom Wednesdays due to illness and moving crap, so this week I will have Fandom Monday and Wednesday.

Today: Unpopular fandom opinions and a writing class )

And, argh, must go to lunch so I can be back in time for a meeting with the reading teachers at the junior high.

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126: busy

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It's Fandom Wednesday!

But before I wax unpoetic about Harry Potter, I'd like to squee over the trade edition of Under the Wolf, Under the Dog that Candlewick sent me today. I batted my eyelashes at my editor and he batted his at Candlewick and poof I have a book. (I'm supposed to review it anyway, but I already have a galley and told my editor that if Candlewick had an extra trade lying around, I wouldn't mind having one.) I also have a lot of really overdue reviews that I'd better write if I want said editor to keep batting his eyelashes and getting me books. Also I will be waiting impatiently for my Cirque du Freak: Sons of Destiny to arrive from the UK.

For those of us that are personality-quiz junkies: Personality quizzes are potentially damaging, from Salon. Am I the only person left in America who's never taken the MMPI?

Favorite HP characters vs. the characters I am. Fic writing is going to have to wait, because there are half a million people in the library. Maybe a fandom Thursday? )

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126: anxious
780: blackbird singing in the dead of night, take these broken wings and learn to fly